a blog for writers and readers
This is the next stop on the My Writing Process Blog Tour, and I want to thank Joan Leacott for inviting me to this tour. Thanks, Joan! If you didn’t come here from Joan’s site I would like to introduce you to her lovely contemporary romances set in Clarence Bay, Canada. If you love complex family dynamics, intertwined relationships, and quite simply, romance, then check out Joan’s first book Above Scandal, HERE. And to find out about Joan’s writing process, click HERE.
Now for my writing process.
1) What am I working on?
Currently I am working on the third book in my Tales of the Black Court series. Book one: The Dark Huntsman came out in October 2013 and book two: Prince by Blood and Bone is off to the final editor. (Whew!) I am in the process of just starting book three: Broken Mirror which will complete the trilogy and tell the tale of the last MacElvy cousin, Cassie. I’m currently working on the outline, and while I have some ideas for this book that I’ve known I want to work on for a long time, I’m not really ready to give you all the details. All I’ll say is that if you’ve read the books, you’ve met the hero already. Hint, he’s fae and a member of the Black Court.
2) How does my work differ from others of its genre?
I have two different series of twisted fairy tales out, each one has it’s own unique twists and turns. Tales of the Black Court takes place in both the modern world and the fae world between the worlds of Underhill. While I use fairy tales as a scaffolding for my plots, I never stick exactly to the classic tales. There are no traditional princesses, my evil queen is not the only true evil in the court, and the prince is never what he seems. What you will find are elements of the fairy tales: Poisoned apples, enchanted beasts, and psychics who are actually magic mirrors.
In my other fairy tale series I write about modern day shapeshifters hidden in the Colorado Rockies. These tales are contemporary twists of the old tales. In my Twisted Tales: Come Into the Woods series you’ll find werewolves and werebears as well as glimpses of the classic fairy tale elements. A great example is in Snow and the Seventh Wolf, the step-mother is an online talk show host of a show called The Queen of Bitch. I love the tongue in cheek elements I’ve been able to insert into these spicy, new adult tales.
3) Why do I write what I do?
I started twisting fairy tales because I’ve always loved the way authors have done this. I’ve read fairy tales, and fairy tale twists for years, but at the time I started there weren’t many romance writers doing it. Now there are many and I love to explore how each of us can take the exact same story and twist it a different way. I’ve even twisted the same story, Snow White, in both of my series, and I expect that will happen again as I explore the next trilogy planned for my court series and also continue to play in the woods with my shape-shifters. I like both types of stories and I don’t think I’ll be giving either up soon!
4) How does your writing process work?
My writing process has changed over the last few years. I used to be a total seat-of-the-pantser. I wrote both Little Red Riding Wolf and The Dark Huntsman by just sitting down and letting go. But they both required extensive editing for plot, as well as time spent thinking about what might come next and I realized that if I continued to write that way, I’d be writing very slow. So I’ve changed now. I go through a plotting process called The Snowflake Method, by Randy Ingermanson. (I’ve written several posts on this, you can find some of them HERE, and HERE.)
The Snowflake Method is a very quick outline of what your story is going to look like overall and doesn’t take much time. After a week or two I have a great scaffold for my story to rest on. Next I write a fast draft, NANOWRIMO style, getting as many words down on the page without worrying too much about mistakes, or details. If I need to do some research, I make a note on the side of my document. All of these notes and the fleshing out part comes with the next draft. Draft two: I refine the plot, fill in the blanks, and add words. Usually about twenty percent more than the original draft.
Then comes the editing. I go through each chapter line by line before sending it to my crit partner, ML Guida. She sends it back with little notes like, “Slow down, honey.” or “I don’t understand this.” or “Yes, you got that one right!”
I go back through that chapter again, then send her the next one. We do that for the entire manuscript and when it’s finished it goes off to my professional editor for developmental edits.
Then it comes back to me. I re-write, make corrections, and send it off to my OOOPS! editor, who catches my grammar and spelling errors, and (hopefully) any weird things like changing hair color.
And then it’s finished! WOOT!
Wow! This is a super long post on my writing process. This blog hop is an exponential blog hop. Every time an author is chosen, she’s supposed to choose three more authors, but that means that at some point most authors have already participated. I’m coming in at that point, so instead of three new authors with brand new writing processes, I’m going to direct you to a few you might have missed on the tour. Authors Lizzie T. Leaf asked me to participate, as did author Elaine Cougler and Lynn Cahoon, and for various reasons I had to decline. Please check out these authors blogs and enjoy what they have to say about their writing processes.