On Saturday I did something I love to do. I spent the day socializing with my peeps at the Colorado Romance Writers mini-con.There was something for everyone. An editor, Kristen Sevick of Tor/Forge, for pitches. A silent auction, which I am happy to report was full of wonderful critiques and gift baskets. And of course a whole day spent sucking up the wisdom of our guest, Kara Lennox.
Kara has published sixty-eight books. Sixty-eight! In an amazing feat Kara provided a one-woman conference, doing workshop after workshop for the whole day. We started with queries, moved through three act structure and right on into movie tricks for romance writers. Her plot-fixers and agent advice finished out a marvelous day of information overload.
Even when its a topic I think I know something about, I still learn something. I took pages and pages of notes and intend on reviewing them to see what I’ve already forgotten. For example, the three act structure. I use a plot structure when I write that is based on something like three act structure. I am going to do exactly what she suggested and peek into my mid-point and see if its where it should be. Did it move during those many revisions?Kara used movies as her examples. She explained that movies are exactly three acts and when you write screenplays, there had better be three acts. Its something I do and something I’ve learned, but the way she explained it has me wanting to pull out my stopwatch and check my Disney movies for their exact mid-points and black moments.
Many authors want to ignore structure and fly by the seat of their pants, but even fly-by-fabric writers should have some sort of map. Kara said many people think the three act structure is hardwired into our brains. That we look for it, and if an author doesn’t stay close to it, the reader feels cheated.
The most exciting thing for me was seeing that even after so many books, and the ups and downs of a long career, Kara is still excited about writing. She loves her plots and characters. She’s written category romance and screenplays and hopes to publish in single title, but the common theme for the long, long, long day was her enthusiasm.
She kept us interested right to the end. I always wondered how anyone could be as prolific as a Harlequin author. How do they keep coming up with new plots that are fresh and interesting book after book. After listening to Kara, I think I know the secret.
She loves it. You can see as she talks that she feels lucky to have made a career out of romance. And who wouldn’t? A lifetime of creating new stories, new characters and new happy ever afters? Why wouldn’t everyone be struggling to do this for a living? Well, maybe because it isn’t the easiest thing to do. You have to be prolific to pay the bills and there are the rejections and revisions.
But seeing someone who has been successful and prolific and still loves writing? That’s a calling. That’s inspirational. That’s who I want to be.