a blog about whatever is on my mind
This is the last in a three part series about the wonderful jewels I gleaned from the Colorado Romance Writers Retreat. To read the initial post about the CRW retreat you can visit HERE. To read about the amazing Margie Lawson’s Defeating Self Defeating Behaviors you can visit HERE. And to read about coping with contest grief with Ann Brady you can visit HERE.
Have you ever wished you knew exactly what an editor was thinking when they read through the slush pile? Do you want to know what stands out and how you can get your manuscript read? Well, we were lucky enough at the retreat to have our very own editor at our mercy. Liz Pelletier from Entangled Publishing was brave enough to step into the room and answer all our questions. She was frank, she was open and she let us know exactly what we could expect from Entangled when we sent our babies off to the slaughter.
No, that’s the first thing. Entangled is a small press. They are fairly new and they really take the time to look at your query and to try to read through those first five pages. If you are worried that no one even looks at your piece, Liz does. She can’t read everything, but she looks at the query and decides if it should be read in depth by an intern. So how do you get her attention?
She said it was simple. She needed to connect to the story, connect to the characters. And she needed to do it right away. Make your character either likeable, in a situation of adversity, sympathetic or empathetic (put the reader in the character’s shoes).
That’s it. If you do that, right away, Liz will send it on to the next step where they read it and critique it. At least the first thirty pages.
And then what happens? Well a few books get picked up. Most don’t. Why?
- The reader couldn’t connect with the character
- Lack of voice or too much voice
- Too many books just like it
- Just don’t love it