Tag Archives: Charles Perrault

Why Snow White?

Thursdays Bite

a paranormal blog

When I first started to write twisted fairy tales, no one else was doing it. Okay, that’s not exactly true. There were a few die hard people like me messing around with Grimm’s and Charles Perrault’s works, but not many. Now they are everywhere. Authors who typically write in other areas are twisting tales with a vengeance.

And the movies, wow! How many versions of Snow White does Hollywood think we need. And the crazy thing is that the original Snow White barely has a romance. The prince swoops in at the end, kisses her, and off they go to get married. It’s really about Snow’s relationship to her stepmother. Maybe that’s the reason why out of all of the fairy tales it’s the one the scriptwriters prefer. My Evil Step-mother, a reality movie for a new generation.

We love the idea of the evil step-mother. And even evil mothers. For some reason fairy tales are full of evil mom’s and the dad’s are just side notes. Remember Hansel and Gretel. Dad is a wimp who does whatever the stepmother says. She must have been a hottie for him to abandon his children, not once, but twice.

And on TV, it’s Snow White, again. While Once Upon a Time has all the fairy tales appearing, the central story has been built around Snow White and the evil step-mother. Something about this tale must resonate.

I’ve done it too. My latest book, Snow and the Seventh Wolf release January 2013, is based on Snow White. Why?

I think Snow White has it all. It’s long and has many plot twists. The Queen is a great villain. We understand her need to get rid of the lovey princess due to her vanity. Who likes getting old? And Snow ends up cleaning house for seven little men. Of course in the Russian version its seven handsome woodsmen, but still, that’s a lot of men for one girl to clean up after. And her reputation isn’t sullied in the least. After being in the woods, unaccompanied with all those men, she still gets to marry the prince.

Personally, I think the prince being absent lends itself to all kinds of creativity. We can’t fathom that he just rides in at the end. We want him to be there the whole time; helping Snow sweep mine tailings out from under the beds, or making sure she doesn’t bite the apple. We’re romantics. How could he sweep in and save the day without being there, somehow disguised the whole time as a dwarf?

Snow White has got it all. Mystery. An opportunity to fill in the gaps in the romance. And, of course, the evil step-mother. Who could resist twisting it one more time?

How many versions of Snow Lego Maleficent White are you familiar with? Which is your favorite? Did you go see any of the movies? Mirror, Mirror?  Snow White and the Huntsman? And don’t forget that Angelina Jolie is about to re-create Maleficent for Disney, are you going to go see my favorite villain?

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Paranormals: Modern Day Cautionary Tales

Thursdays Bite

A Paranormal Themed Blog

The roots of paranormal stretch deep, far past the gothics of the sixties, past the rise of horror and mystery in the Victorian age all the way to our oldest tales. The ones we know think of as sweet, innocent and only for children. Well, mostly for children. For a long time authors of all genre’s have been twisting the old fairy tales into new dark tales. But the originals were created just as dark, sometimes even horrifying.

I love twisted fairy tales, and have for many years so when I looked for inspiration a few years ago, that is right where I went. The result’s are Little Red Riding Wolf and my novel, The Queen’s Huntsman.

Little Red Riding Wolf, my sensual novella, received an Honorable Mention in Passionate Ink’s Stroke of Midnight contest. Little Red is loosely based on an old French fairy tale called (amazingly enough) Little Red Riding Hood. You may have read it. But you might not have read the original written by a famous French author named Charles Perrault (12 January 1628 – 16 May 1703). Not as famous as the Grimm brothers he is the author of not only Little Red Riding Hood, but romance’s greatest fairy tale, Cinderella. Unlike sweet Cinderella though, Little Red is a dark tale that Perrault ends with a sinister message.

Fairy tales were the original tales of horror in a time when most people couldn’t read and the only book available in many places was a bible written in Latin. Around the fire stories were told to entertain and to warn children of dark places and dangerous  people. As we know they’ve been watered down over the centuries and likely changed many times to suit the culture. Perrault’s story is a cautionary tale warning little girls not to trust strangers and ends with a lightly veiled warning about pedophiles.

These stories form the roots of romance and horror. Cinderella swept off her feet and out of poverty is first tortured by her evil step-mother and step-sisters. Snow White, sent off to be murdered by her step-mother, only avoids death by the tender feelings of the huntsman, but does he save her? No. He sends her off into the deep dark woods alone. These are the lighter fairy tales, the darker ones (like the Red Shoes) are rooted in death and madness.

Just as in the old world when fairy tales married fantasy and horror, paranormal is the marriage of magic and our modern world. Men live down the street and look normal, but turn into ravaging beasts at the full moon. Evil witch step-mothers from the past morph into modern day  witches and vampires who fight in city streets in a struggle for survival. Are we sending our own warnings?

Are paranormal stories tales of romance or warnings of where you might go if you stray into the dark? We live in one of the safest times in modern history. We don’t need to worry about walking down city streets, or do we? When we live in a time when women are expected to live alone in city apartments and need to get to work, to parties, to the grocery store on their own, are we to tell them its not safe? No, if we do that, no woman would walk alone and our world wouldn’t be the same. Instead we, just like our predecessors, tell our tales. We set up scary situations, thny warn under their happy endings, it’s not safe. Things lurk in the dark.

In paranormal we disguise our murderers as viscous vampires and wild wolves. We create heroes from fear and strong women to take them on. We may not be aware of our role as our society’s warning system, we may only think we are telling stories. But in truth we join a long tradition of using story telling to mask the truth, to sugar coat the threat. But we still do what our ancestors did for thousands of years, sending messages of caution to our readers. Beware the dark stranger. Lock your doors. Don’t venture out at night. Or the bogeyman might eat you.

Like this blog? Have some ideas for me? Leave a comment and let me know.

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Filed under fairy tales, paranormal inspiration, roots of paranormal romance