Lesson Two From the Writing Path:Your characters will try to wrestle for the controls

Moonday Mania

a blog about writers, writing and the roadblocks we all face

Last week I started this series of blogs about my romance writing lessons, well, roadblocks really, with a post on how life gets in the way of my goals. You can read that HERE. This week I’m addressing lesson two. And in the following weeks I’ll be hitting the other three top lessons I’ve learned by writing and publishing paranormal romance.

On writing, plotting, and how characters are lying in wait, ready to derail your best laid plots.

Lesson number two:

The plot can be thought out in advance, but the characters are bound to have issues with whatever you’ve decided. So be flexible, and roll with it.

You’ve heard of it. Writers who detail all their plots in advance, and then stick to every single plot point.

Well, I’m here to tell you that those writers are the minority. You see, writers are divided into different camps. There are the pantsers: those who don’t plot at all, but just sit down and write, never knowing where the plot is going. Then there are those stick in the mud, rigid plotters: they stick tight to their plan, even if the characters beg plead and threaten mutiny. But most of us are somewhere in the middle. We have an idea of the story. We know the begining, maybe the middle, and the end. We know the highlights.

Some of us fill in the story from there. Some of us, like me, write down as much as they can of the plot points from begining to end, trying to peg down the route like you would plan your summer road trip. But, as we all know, not all road trips are smooth driving.

Yeah, those characters are frustrating sometimes.

It’s taken me a long time to work out how to plot a story. I have a very effective method that gives me a beginning, middle, end—and lots of hot romance and exciting plot points in between. But rarely do I end up sticking with the whole thing. That’s because, even though I have my plot down, my characters are never quite pressed out. They tend to pop up with ideas and motivations that I had no idea about when I was outlining their stories. And so, I need to be flexible and change the story when they ask for it.

Demand it.

Absolutely refuse to cooperate until I rewrite.

Characters drive the story.

In addition to outlining your story, you have to decide if your tale is plot driven or character driven. While I love having a good, fast-paced plot, in romance the characters have to drive the story. That’s because, no matter what else is going on, it’s the emotional changes of the couple and how they go from not meshing to totally being immersed in each other, that is the essence of romance.

And that’s where my characters will change my plot lines.

I’ll think the plot goes one way, and that’s a perfectly great way for the plot to go, and then the characters’ emotional changes will move the plot an entirely different way. A great example of that is in the third book in the Tales of the Black Court. I knew the Black Queen had to die. I’d known it since the first book. But, when it came time for her to die, she threw a total twist at me. I’m not going to spoil it for people who haven’t read Broken Mirror, but suffice to say, Aeval’s death was nothing like I’d planned.

And that’s okay. That just means that I have another book to write!

Does life ever throw you curves when you think you have it all plotted out? Do people sometimes do things totally unexpectedly? 

Want to read the rest of my five lessons from writing romance?

Here are the rest of the lessons I’ll be addressing.

  1. As soon as I think I’m on a writing roll, life will intervene. (Check out the first post)
  2. The plot can be thought out in advance, but the characters are bound to have issues with whatever you’ve decided. So be flexible and roll with it. (That’s this one!)
  3. There is no such thing as the muse. (Next week’s post)
  4. There is such a thing as resistance.
  5. Writing is a muscle. Use it, or lose it.

***

Author Bio:

Jessica Aspen

Jessica Aspen has always wanted to be spirited away to a world inhabited by elves, were-wolves and sexy men who walk on the dark side of the knife. Luckily, she’s able to explore her fantasy side and delve into new worlds by writing paranormal romance. She loves indulging in dark chocolate, reading eclectic novels, and dreaming of ocean vacations, but instead spends most of her time, writing, walking the dog, and hiking in the Colorado Rockies. You can find out more information and read about Jessica’s paranormal romances at http://JessicaAspen.com

To sign up for Jessica Aspen’s newsletter and get your link to download your exclusive FREE book, please click HERE.

Rogue Enforcer by jessica aspen

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7 Comments

Filed under Moonday mania, Writer's Journey, writing craft

7 responses to “Lesson Two From the Writing Path:Your characters will try to wrestle for the controls

  1. So true Jessica. We’ve developed our own style called “plantser” since we write together. There’s a fairly detailed outline before writing the first draft but, while writing that first draft the characters add, subtract, and even change the outcome. Our newest book, coming out July 27th is an example of the characters changed the story.

    • I’ve heard of people using the term “plantser” before, but I don’t think I’ve ever heard of it being used by two people writing together. Flexibility is key in writing, and I would think that it would be especially important when working with another person on such a creative project. Super excited to see your next book coming out!

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